Khuutra said:
I tend to operate on the assumption that character alignment translates into pro/anti-town alignment. It's a relic of older games I played in, where if you were Volvagia then it was because you ate baby Gorons and if you were the Deku Princess then you were being held captive by Odolwa (yes, all my old Mafia games were Zelda themed).
Operative assumption concerning God of War is that the perspective is Kratos's; I didn't read the OP, and didn't notice that this isn't the case. GoW3_ever has kind of surprised me in framing the destructive forces moving against Olympus as Mafia and Zeus himself as Town - which is to say, Olympus is the status quo. Apparently.
I add in apparently here because even that may not be true.
Now, that operative assumption - that Kratos is the protagonist - would mean Zeus is the antagonist. Ergo, if Kratos is not the protagonist, then Zeus may not be the antagonist if only because alignments aren't necessarily related.
But even that doesn't work - if we take Zeus as the anchor of perspective here, then the bad guys are anything that acts against the status quo of Olympus - which is to say, Kratos, the Titans, the Barbarian King, potentially Hades (depending on how literal mythological interpretations get), Athena, Pandora, Hepheastos, heroes who tried to change their fate against the will of Zeus (so Icarus but not Daedalus, Perseus but not Thesus, and DEFINITELY not Hercules) are all potential antagonists.
Because as of the second game Zeus was a paranoid lunatic.
Sorry. I went off on a tangent.
Listen, point is this: my natural inclination, at this point, is to distrust the enemies of Zeus. We already know Kratos is anti-Town. Gaia would be an enemy of Zeus. I don't know if Cronos and Atlas would count, since they're pressed into servitude (though they hate him so). Persephone hates Zeus too - a lot. It goes on and on.
I have to consciously push this logic aside. It presents a lot of possibilities for who stands as Mafia.
All that's assuming that the perspective presented in the OP is the perspective of the Town - which Kratos's alignment (and Athena's) would seem to suggest.
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