Sqrl said:
Well I don't think I said the writing is overvalued but I think I could make an argument for that too if needed. For now I will just stick to the simple stuff. So, if you want to ask the question "Why don't they just find other writers?" then I have to ask the question "Why don't these writers go off and work for people who are willing to give them what they want?" If they are truly undervalued then they should be able to capatilize on that disparity and profit from it. And raising and managing money is in a different league of difficulty. The proof is that quite simply there are far more writers than there are millionaires and quite frankly a lot more people try becoming millionaires than try becoming writers. As far as it being an excuse, I would call it a damn good reason. Capatilism as a system works very well and it has its own problems. But this is not one of them. On the issue of who recognizes good writing, I would have to say you missed the point. The people at home choose what is good writing and that is at the heart of capatalism. So if the networks are getting better ratings on "Reality phone sex" than reruns of MASH...that is the people deciding and while I would personally agree I prefer MASH because it was a great show that the people decide by watching what they do like and not watching what they don't like. What is traditionally considered skilled writing and "entertaining writing" are not the same thing and if you are in the TV writing business to be a traditional writer you are in the wrong place. Quite simply put up and coming writers with a fair bit of talent are basically a dime a dozen right now and until that changes you are going to have a hard time convincing the folks who do have the money that it is worthwhile to invest big bucks in each one that comes along. Big writers who make a name for themselves don't just bring their talent they bring their name to a project and in doing so they themselves are a commodity because they are a symbol of quality. Honestly, the system isn't that complicated. And while pure capatalism isn't fair, this system is far from pure capatalism and is a hell of a lot more fair than any other system that I know about. |
But you just highlighted the reason collective bargaining (aka Unions) are necessary. The studios won't pay for one of them, but they will pay for all of them. The studios are collectives - they're a handful of groups with all the money, so having a group with all the workers to negotiate with them, and have their own way of fighting back, is only fair.
As for the issue of fewer millionaires, lets just say that there's something to the piece of wisdom that having money is the best way to make money. Very few of these supposed geniuses started off poor, regardless of what rags-to-riches american dreams may tell you. So I'll have to say that your proof is non-proof, especially since a shitty would-be-writer can probably still get published (hi Gossip Girl and romance novels!), while a shitty would-be-millionaire is just not counted. This also answers why there aren't people willing to give them what they want - to get anything made with any sort of mass-audience on television, you have to already have money. No matter how talented I was, if I started raising money tomorrow, I'd still never have enough to make a major-budget film.
"Quite simply put up and coming writers with a fair bit of talent are basically a dime a dozen right now and until that changes you are going to have a hard time convincing the folks who do have the money that it is worthwhile to invest big bucks in each one that comes along."
If they're a dime a dozen, why can't they replace the screen-writer's guild? They're 15000 of them, so that's only $150 dollars! In all seriousness, though, I think that if a collective strike has a real impact, it proves that while an individual writer may be replaced, all of them can't be. Which means, they as a group can have some impact on their lives in ways that they as individuals can't in a capitalist system.
Your capitalism answer is still not an answer. Amoral means doesn't concern itself with morals. Your responses have all be economics-focused and ignored morality. Therefore, amoral. (not to be confused with immoral)
I'm not sure if I addressed all your points, though.








