I've seen some sites give it a 9/10 / 4.5/5. And alot of sites 8's and 7's. but also a few gave it low scores....It seems to be a mixed bagged...similar to zombi U

Even IGN italy gave it a 8.5/10

her name is Alizee, she is french :3

3:07 :3

still gettin it

and the lack of actual choice is still there, because nothing you did in the 3 games is reflected as an important thing during the game.   BUT still the game on its own is really good, but sadly it disappoints in the premise of "choice" and 16 different endings :[

I can't see where the problem is. The game was just not so good. Simple

""The game tells you where to jump and shows you where you should leap and highlights your next platform" - Uncharted."

uh your first point already is completely false

then the next couple points don't make much sense

"It feels more like a movie than it is a game" - Uncharted

"You can't interact with the world around you, thats a big shame because the graphics look good" - 

it feeling like a movie is subjective 

what is interaction with the world? do jumping, climbing, snapping to objects for cover etc not count?

what do you mean by interaction specifically?

i haven't played assassin's creed 

Remember Me: Beautiful or Pretentious? These Six Critics Can't Decide

Whether they consider it the artistic achievement of the decade or just a boring, linear sci-fi brawler, one thing reviewers agree on is that Remember Me is rough around the edges. The question is how rough.

While most considered the world of Dontnod's futuristic action-adventure a joy to behold, the quality of the (English) voice acting and the occasional strangeness of the plot were both commonly mentioned negatives—along with the game's disappointing linearity. Let's have a look at what the reviews say.

VideoGamer

Remember Me is painstakingly slow to unravel. After escaping the grip of her former employers, lead character Nilin - a futuristic memory-jacker turned fugitive - is lead across Neo-Paris and Saint Michel by a mysterious figure named Edge. His guidance has her clambering across rooftops, visiting robotic Red Light districts and re-entering the Bastille prison that once kept her captive. Edge’s instructions provide senseless justification to a narrative that opts for grandiose language and a pompous execution of ideas that makes everything sound far more intelligent than it actually is.

Metro GameCentral

The artwork is clearly informed by the best of the French comic book scene and together with the wonderfully varied soundtrack this is one of the most intriguing sci-fi worlds in any video game for years. Although there are heavy influences from Blade Runner, and other familiar sources, it’s one of a very few games in the modern era that feels identifiably French, in both presentation and attitude. Given that it’s rather bizarre that there don’t seem to be any actual French people in Neo-Paris, since almost all the voice actors are very obviously British. This single-handedly ruins the atmosphere, although switching to the French voice track and using English subtitles thankfully recovers the situation – and makes some of the more awkwardly translated dialogue work a lot better.

Destructoid

Combat invites players to "create" their own "combos" by entering the Combo Lab, a contrivance far more simplistic than first impressions indicate. Nilin fights using simple kicks and punches, each bound to a single button. In the Combo Lab, you get to chain these attacks — sorry, Pressens — together by unlocking them and adding them to an attack chain. While you may think this gives you absolute freedom in what you chain together, it's worth nothing there are only four real combo strings in the game, and you don't get to choose what goes where. You can only select the type of punch or kick you deliver, not what you deliver or when.

GameSpot

It's a shame that you never get a chance to explore this world to any notable degree. Remember Me is one of the most linear, guided games in recent memory, giving you little choice but to wander down its narrow paths until you reach the next battle, the next cutscene, or the next scripted platforming sequence. "Linear" needn't be a bad thing, of course, and plenty of games lead you from point A to point Z with little room to breathe in between. Yet Remember Me stands out as a particularly egregious example of tightly controlled roller-coaster design, in spite of the few nooks hiding various collectibles. Some areas are so confined that the camera fails to find a good angle, and the paths you follow are so narrow that you long to break free. In the meanwhile, you look into the distance, aching to investigate the inviting Neo-Parisian sights and realizing you are an outsider looking in rather than a true part of this incredible place.

Edge Magazine

Much like the hodgepodge skyline of Neo-Paris, Remember Me sandwiches an extra pillar into its packed structure: memory remixes. Deployed at infrequent intervals, these sections take you to an abstract mental plane to tinker with your subject’s recollection of an event. You rewind time by rolling back the left stick; hold it still near a glitching object to influence both your target and the situation. Effectively, then, you scrub about a timeline seeking switches, but these short sections are designed in such a manner that they make for a palate-cleansing way to absorb a bit more exposition.

EGM

It’s difficult, if not impossible, not to point out how Remember Me excels outside of how it plays. (...) Remember Me boasts some of the most effective social consciousness I’ve seen in a videogame. I remember more characters of color than not, more diversity than the absence thereof, and none of it ever felt heavy-handed or preachy. It simply existed comfortably within the game’s fiction as part of the norm. Dontnod may not have intended Remember Me to be a shining example of inclusiveness—and it’s all the better for that inadvertence—but the end result certainly is an admirable effort at acknowledging the underrepresented.

Kotaku

At first, I thought that Remember Me would be one of those games where I liked its ideas more than its execution. But, even though it's surrounded by some rough gameplay and well-worn templates, the core concept behind the game—control over what we choose to hold onto—comes to life in ambitious ways.

Still will probably get this when there is a steam sale. Looks good to me. Sad about the combat not being the best, but story and art and design looks very good.

well, this game does not appeal to me on any way. For me it deserves 6-7 based on what I have seen in the videos. Quality wise looks that it can be solid, but I dont like the character design (the main protagonist is ugly), monster design, and the story.