Jaicee said:
Yeah, the decline in film budgets owing to increasing competition from television was a pretty universal issue for movie-makers everywhere. In this country, it had something of a similar consequence in that movies generally got lower (relative) budgets in the 1970s. But what was going on more largely in society seemed to make a huge difference in the sort of thematic material that film-makers responded to this new challenge with. We had stuff like the Vietnam War going on. Japan was enjoying peace and prosperity, broadly speaking. Those different contexts I think just naturally yield demand for different sorts of content, whether its produced expensively or not. TV was a huge source of competition for Japanese film-makers though for sure. I mean by the '70s Ultraman was more popular with Japanese kids than Godzilla (and that's NOT exactly because its material was better-written and directed Godzilla vs. Mechagodzilla is cute. |
While I do like my Godzilla films to have depth, which is why my favourites include the likes of Shin Godzilla and the 2001 entry usually abbreviated to GMK, I'm also just a huge sucker for just the satisfying spectacle of big monsters rampaging, model cities getting smashed, and pyrotechnics going off all over the place, so I can forgive Godzilla vs Mechagodzilla for being about as deep as a puddle.
But yeah, the 70s were an troubled time for Goji and it showed in the highly variable quality of his films from that decade. Still, I like 3 out of 5, so it's not my least favourite era from him.








