r505Matt said:
Grahamhsu said:
Reasonable said:
Grahamhsu said:
Reasonable said:
Grahamhsu said: @Reasonable I believe all of us have the ability to become Remy, you say Collette is a craftswoman and she certainly is depicted as such in Ratatouille, but the mere fact that she understands food and how flavors work already gives her the tools needed to go one more step into the level of Artist.
Of the 4 years I've spent at the conservatory I've seen Linguini's turn into Collete's and some even go on to become Remys. I've seen players with masterful technique, some with higher technical skills than the teachers, but extremely lacking in musical ideas, and I've seen these players in a mere 2 years mature so much musically I couldn't believe they were the same person. |
I'd have to disagree (not with what you've personally seen) but as to likely levels of improvement. In the end, no matter how much anyone studies, they are not going to be a Kubrik or a Wells or a Picasso or a Shakespeare (I know I'm picking the tip top but it's easiest to make the point there).
I do believe that probably all of us could easily be better at almost anything but putting in effort - in fact as I said that goes towards enjoying art as well (whatever the medium). The more you understand the more you can appreciate. For example, sticking with the examples from Ratatouille, Colette clearly understands the medium of food way more than Linguini, but of course if he tried really hard he could improve and perhaps get to Colette's level. But while Colette (as presented) might become a minor artist herself, I believe the film is accurate and correct in its thesis that in the end we all have an upper limit and they differ.
The Incredibles (also by Bird) also echoed elements of this sentiment. Some people are just smarter, faster, better whether at art, counting, rowing, running or whatever and while we can all improve ourselves I really, really doubt we can all hit the top tier. In the end one by one we'd hit a barrier, where native talent (the creative spark if you will or your basic physical makeup for sports) would not be enough and not amount of learning or practice would take us further.
I do take the optimistic view, which I hope comes across in my posts - but I also doubt the ability for everyone to reach the highest pinacles of any endevour.
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Well for me when I meant Remy I didn't exactly mean Kubrick, Heifetz, etc anyone of the top just anyone in the level of artist. Of course if all of us hit the top-tier than what would the top tier be, therefore not all of us can be "the best" eventually the art would just evolve one step further if a occurrence like that were to occur.
As for limits, I believe the only limit in any artist's life is time, native talent will always improve.The arts are about what is being human, so as long as a person experiences human emotions, feelings, life, he/she will undoubtedly improve in the arts as well. As long as you learn and practice correctly you will always improve, Beethoven's quartet music is actually extremely similar in certain ideas to early 20th century classical music, he was so amazing he brought a new era of music "Romanticism", and predicted where music would go 100 years later.
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Oh for sure. I totally believe in the ability to constantly improve and learn. As far as I'm concerned if I ever reach 90 years old I still want to be learning stuff and improving my abilities where possible (probably not something like the long jump or wrestling!).
I just mean that we all start at a different point and we will all hit a different ceiling at some point. For example I find Einstein's work facinating, but I could study for the rest of my life and never reach a point equal to what he hit when he published his General Theory of Relativity (I know, he's another top of the tree example!).
I think no-one should feel they can't aim for something, I just think equally it's sensible to realistic about what your own upper limits might be as well - we simply can't all be Kubricks, Einsteins and Picassos and no amout of effort will enable us to equal them - not because they were "better" in some sinister superior way, simply because chance happened to gift them with certain abilities that enabled them to excel to a level not just above average but at a peak that couldn't be achieved without their innate talents.
Love the feedback and ideas BTW. This is rapidly becoming my favourite thread in a long time - no bitching about graphics or 360 vs PS3 or how Alan Wake is
going to be the best game technically or no it's not God of War 3 easily beats it, etc. just some interesting discussion with lots of good ideas and thoughts.
When it's like this I really appreciate the internet and the freedom for discourse it provides.
EDIT: BTW when you said "The arts are about what is being human" I couldn't agree more. That is one of the key elements for me in any experience of art.
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Completely agree with bolded, many top musicians, Fritz Kreisler, Louis Armstrong have stated numerous times "I'm luckiest man alive", I find it most controversial with Louis's life considering both his parents left him at an extremely young age, and his mother was a prostitute, but that only shows Louis knew how special and lucky he was to be born with his qualities.
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Actually, it's almost ironic that you mention Louis Armstrong. My teacher used to tell me stories about him about how he literally blew out his lips. Him and Freddie Hubbard both, though Louis mostly recovered. Especially if you're talking about trumpet, sooo many trumpet players (myself included) use bad technique in some way, even some of the greats. Very few trumpet players play with the minimum required pressure, most push, at least a little bit. I know exactly what you mean, everyday I still struggle everyday to be less tense, more fluid more free in my playing. I used a lot of shoulder in my playing until I got into the conservatory where they taught me how to use my fingers. Freddie and Louis both used a LOT of pressure, which really puts a burden on the lips. Louis though was a genius, he was able to overcome his problems with his lips, Freddie was not.
My point here is that talent is a fickle b****. She can give you all sorts of things, but she can take them away as well. This isn't as much of an issue in classical, though there are is a reason that most principal trumpet players can't do it for more than 10-15 years, I know playing softly in brass can be extremely bad for the player but had no idea the instrument itself puts such a strain on the body @_@ unless you are Adolph Herseth (trumpet god). But if you are talking about jazz (or anything non-classical I suppose, in terms of western styles), plenty of players rely on some bad habits to propel their talent.
But what I'm seeing from the conversation between the two of you, is that you guys mostly agree. With hard work, you can achieve a certain level, but you need the talent to go beyond that. Personally though, I just consider talent a time-saver. I semi-agree for me intelligence is the time saver, a more intelligent person can figure things out faster and do more with his/her time. My teacher has a saying, with determination, dedication, and desire, you can do anything. The 3 D's he called them. With all 3 of those things, you will enjoy what you do, work hard at it, and find the proper guidance to propel yourself. Completely agree with you on that, but to become what Reasonable was saying, Bach, Da Vinci, would require the sacrifice of a lifetime and a little extra padding on the talent. In our time period it simply isn't possible, unless you home school the child at birth. This brings me to a question I've wondered, do you think the public school system has weakened our potential artists?
My teacher also used to tell my stories about Wynton Marsalis practicing breathing exercises we were taught for 8-12 hours a day when he was younger. He may have exaggeratedbut the point is there, even the talented have to work hard to get towards the top. I agree completely with that statement, I've read many bios and auto-bios of talented men, Michelangelo, Heifetz, Nathan Milstein (I hated him after reading it though), and plenty of other small accounts from The Way I Play, and extremely few people can get away with less hard work, Ysaye I believe never practiced in the summer, but Ysaye was the violin's technical god of his time.
Edit: And further, just on the exact topic of creating art, skill is not a necessity, skill is just a means. It's all about reaching people. An amateur artist may be able to create more compelling and moving art than an artist that has be practicing/working/painting/sculpting/playing for 10-20-30-40+ years. And it's not always about talent, sometimes it's more a sort of luck, or wisdom, to find something that reaches people. To me, art is about reaching people and moving them in some form, skill/talent isn't needed for that, so yes, I believe any living person can be an artist of some form. Talent can help though. Agree again, a measure of luck and wisdom is definitely involved, why else does a one hit wonder song sometimes pop out.
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