| st0pnsw0p said: I guess it's not so much the story being good as it is, uh... being well integrated into the game, I guess would be how I'd call it. For example, in Majora's mask, there's a bit of story leading up to each dungeon. All those segments present a problem in the game world (poisoned swamp and missing Deku princess, Goron city completely frozen over, etc), and by beating the dungeon, you solve this problem. That's something that really contributes to the theme most Zeldas have of being a hero out to save, and it's much more satisfying than beating a dungeon just to get the third magic relic you before you can fight the final boss. |
I won't argue that it's not satisfying to have plot integrated into exploration, but I've not yet played a Zelda that has done that so well that I would rather lose the freedom and depth of world design from ALttP and Zelda 1. I'd much rather have all the story bits separate from the dungeons altogether, if I'm honest. I seriously don't get why that is where Zelda choses to progress it's plot. If it were up to me, I'd leave the dungeons completely out of the major plot points, and have them happen in the towns instead. Anything that forces any sort of linearity in Zelda is bad in my book.
Even ALBW, which claimed to let you tackle dungeons in any order, artificially gated the dungeons in the begining for the sake of plot. I want it to be Zelda 1 open. If that means axing, the already mediocre, plot, I say it's an improvement. But like I said, I don't think it has to mean that at all. MM is a perfect example of all these little stories, which is literally the reason people love that game, most of which aren't tied at all to the dungeons. Dungeons don't need plot. They just need atmosphere. And frankly, they should be hidden. The point should be to find the hidden dungeons and overcome their rigorous trials, not solve someone's problem by defeating a boss.
