LordTheNightKnight said:
That's actually how it's been throughout history. Art commisioned by patrons was made to their specs, not to what the artist wanted. Michelangelo only wanted to sculpt, but he took the money given to pain the Sisteen Chapel (and gave us perhaps the most iconic image of the Abrahamic God ever). The customers pay money for the art. The artist doesn't pay us to enjoy the art. By the simple logic there, it's wrong to assume the artist gets to call the shots and we are expected to pay for it. |
I never said that. I said that as long as the artist can make a living he can do whatever he wants. If he's making a living that means there are enough people out there enjoying his current work and willing to pay for it. Those might not be the same people who enjoyed his previous works, it doesn't matter - money is money.
If you are going to bring up Michelangelo and the Sistine Chapel as an example of "the proper way of doing things", you might as well renounce capitalism and democracy in the same breath. I don't have to remind you that during the 15th and early 16th centuries, not only did the Roman Catholic church control every form of expression, from painting and sculpting to music and song, it also controlled the flow of money and many of the means of production. In other words, there wasn't a free market! If you wanted to provide a nonessential service, you worked for the church, or you didn't work at all. That's why it's a terrible analogy.
If you want to argue that Michelangelo did his best work because of the oppression he was subject to and not despite it, and that the ends justified the means in his case, then you must also believe that your own personal comfort and well-being are somehow more valuable to the world than his.
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