12 Ways Consoles Are Hurting PC Gaming

[Final-Fan]

vlad321 said:

Final-Fan said:

Hmm ... you are completely wrong.  The industry is something that can be argued, but the morals are ... well blatantly obvious to me. 

When you buy a new game, it's yours, just like if you bought a book or a car.  You read the book, play the game, drive the car.  You don't own the copyright but you own the fucking property.  The company got its money when it sold that property and from that moment it does not control what the new owner does with it, nor is there any moral reason it should have a say in what you do with it.  When you're tired of reading, playing, or driving you can sell your own property to someone else who wants to read, play, or drive it. 

It really annoys me when companies cripple their products to make it so you don't control the property -- or don't even purchase property at all, just a "license".  You're paying for permission to play the game, just like a long term rental.  Blockbuster is the past, not the future.

With piracy, no, it's not like stealing a car.  (Just to reassure you I don't hold to that idiocy.)  It's a little like, oh, counterfeiting.  But really it's its own thing.  There's just not any non-computer analogy for the ability to create endless copies of something almost for free and distribute them with the greatest of ease. 

Unlike with used games, or books, or cars, you are CREATING property.  It's not the same thing.  You are equating unequal paradigms.

You can't just CREATE the property. The property is the idea of the music/game/book etc. You don't buy a cd/book for the disc or the paper of the book. The value lies within the experience you had from the entertainment, whatever it was. As far as the creator is concerned you got the value of his property without him seeing money (which is also why it is dumb to compare it to physical goods). This is the case of both piracy and the use market. Why i say that the used market is a tiny bit worse, not much though, is because someone else makes money off of the creator's property, on top of the creator not seeing any compensation.

That is why, as far as the creator is concerned, both are basically the exact same, with one a tiny bit worse.

It's true that I didn't buy the StarCraft II computer game just for the box and the plastic coaster within.  But on the other hand, it's a long established practice, and one I fully support, that the physical product is a transferrable license to the content within, either on paper or on disk.  TRANSFERRABLE.  The concept of "ownership" to me implies the power over what is done from that point on with the product, which is why I hate non-resellable games.  Let me go into detail below. 

What I get from what you said is that your position is that there is only one actual "property" of StarCraft II, and every game out there is just a little piece of it, all tied together by ethereal strings and you're paying Blizzard to hand you a string so you can have access to Blizzard's property. 

I, on the other hand, think that (using books for an example) the book is the physical property, which is bought by the customer and owned by the customer, to do with as he pleases, and which contains a piece of the intellectual property, which is owned by the author/publisher/whatever.  In this case the book (which you OWN) contains the string from the last example's metaphor (the strings being the IP, and which you DON'T own), but the property containing the string is completely in the control of the customer, and the author has no right to take that string out of the property which is not theirs, and no right to control what is done with that property, including reselling it to someone else who would then own that property and have access to that string. 

I admit that some publishers are treating their games as being the first type (your idea), to control what you can do with the string, because they say it's still theirs and you're just paying to hold it, and they have set it up so that you can't hand it to someone else.  I hate that.  I think that they shouldn't control the string anymore.  On a practical level, since publishers are capable of making their games fit your definition, that may mean your idea is factually more correct, and any control I have over the strings of my games is at the sufferance of publishers.  But morally, I'm sticking with my version. 

P.S.  So your position is that, morally, the hierarchy would be (bad to worse):  free pirated stuff --> used stuff --------------------> pirated stuff that people pay for ... right?

P.P.S.  So in that metaphor, piracy is creating counterfeit strings.  That's how it creates property.