jarrod said:
I think Sakamoto earned some serious leeway with the higher ups thanks to breakouts like Wario Ware, Rhythm Tengoku and Tomodatchi Collection. The last one alone outsold every game Retro's ever made, and it's only released in one country. :/ Looking back, Other M was pretty clearly a vanity project and when (if?) Sakamoto gets to take the franchise out again, I doubt he'll have nearly the same sort of resources handed to him. The CG bill alone probably dwarfed the R&D budget for all his DS games combined. |
So you don't think it wasn't a matter of
"Sakamoto's ideas for this Metroid game are right on the money. Let's let him run free and he'll return a hit."
instead being
"It's Sakamoto. His ideas *are* hits."
I always assumed that the former was the truth, that someone higher up than Sakamoto really thought his ideas were the future of a more mainstream, revived-in-Japan metroid, and that's why they gave him complete control, rather than them just letting Sakamoto have a vanity project because of his past successes

Monster Hunter: pissing me off since 2010.







