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Kyuu said:

I'm going to sound like a true hater lol (I swear I'm not!). But its "relevant" compeition wasn't nearly as fierce as Baldur's Gate 3's or Elden Ring's.

The game probably deserves it, but it's a little annoying how many people hype it up like it's another TLoU1, BotW, God of War 2018 (which I don't like but it beat RDR2's ass), Elden Ring, or Baldur's Gate 3 moment. It's just not. The game scored in the low 90's and is being treated an objective 97 just because it dominated a strong year in gaming. Hades 2 is the better received game, but it's penalized by its indie 2Dness. Hades and Hollow Knight just aren't the type of games to win in these events. And Bananza, while solid, obviously wasn't on the same tier as Nintendo's best platformers reception-wise.

Silksong? Bananza? Hades II? MarioKart? Ghost of Yotei?? Death Stranding?? Split Fiction?? And so on.

This year was stacked with heavy hitters! It’s not even comparable to 2022, which saw only a handful of a games win more than a couple of awards. And in spite of the more aggressive competition, ER won 69% of all awards whereas E33 swept >70%.

Also: “The game scored in the low 90’s” ignores the fact that it scored around where GoW’18 and TLoU:Pt1+2 scored. It sits as the 32nd most acclaimed game of all time on OC.