Jumpin said:
The way I’d see it is they’d want to raise the bullshit meter, and they could do it the same way by making it look like the bookers pushed Cody toward Rollins and Punk toward Roman by starting up with the story about Punk being a bigger star (already triggered) and establishing a link with Heyman “He was my wiseman first” in the way the Rock did with Bloodline. It looks to me, at least, that they were already laying the seeds. And yes, it would sound like bullshit, and that’s what works up the fans. I’m not trying to say CM Punk is better than the Rock in this role, just that it could have been the original plan - I can’t see CM Punk or Cody’s Wrestlemania 40 being (as you said) vanilla ice cream. But Punk got injured. Maybe we’ll know his plans later or maybe we’ll never know. Actually, the other figure that could have factored in was Brock Lesnar who (IMO) would have also been a great fit. I’m not so sure The Rock was ever meant to be inserted in there. He was just (as the immortal Hulk Hogan would say) the right gay guy at the right time. (OK, I know that was lame 😞)
To bring it in, most people want the simplest most straight forward path—but it’s the disruption of that which makes a story truly compelling. Because the most compelling stories involve setbacks, twists, and obstacles. The basic formula for a “work” is showing the audience what they want and telling them they can’t have it. That’s what really gets them fired up. So, when I say the Rhodes story isn’t new: Kofi, Bryan, Punk, Benoit, and others were made into big stars basically using the same trick “the big guys in the back don’t believe they’re ready.” + some clear bullshit contrivance into the plot. And despite the obvious story progression, the audience seems to always fall for this work. It’s a good one, IMO. |
I think it's reasonable for the audience to believe it because this is something the WWE has done quite a lot in the past. There are some examples like Bryan/Kofi/Becky where they ultimately gave the audience what they wanted. But there are a lot of counterexamples. Roman Reigns main evented like three times in a row while as the face nobody wanted. Wyatt lost the title to Goldberg to set up a match that didn't need to be a championship match. Same situation with Rock and Punk. John Cena beating Wyatt when he really didn't need to and shouldn't have. HHH's reign of terror. There's plenty of time that they do just sacrifice someone who is up and coming for an older star. So it's not unreasonable for fans to think that might happen.
As for Wrestlemania 2000, I actually liked that cause I was a HHH fan. But, I'm not sure you can attribute WWE's subsequent success to that booking decision. Right around this time was when Vince Russo and Bischoff returned to WCW and ushered in some truly awful booking.