DTG said:
Yes, I have seen Apocalypse now though I'm not sure if it was the Redux version. However most of the dialogue minus the one with the French only lasted a couple of minutes until they moved on to the next scene. Like I said, name me a movie with a 1 hour scene similar to MGS2's devoted soley to the exploration of philosophical themes. The last 10 minutes of 2001 was extremely subtle and so I really can't consider it on level with MGS which lays it's philosophy out to you in words. School books and the education system rely directly on words and concise explanations to impart knowledge, if text books began being subtle implications of things they would be mostly useless in education. It's the most effective way of presenting knowledge and teaching someone.
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So now anything that DOESN'T explain it to you in long, drawn out terms doesn't count? That hardly makes sense.
Tell me; what do you think of the following short story (in it's entirety)
Now tell me: What is the point of the story? What is a potential backstory, and why should you (and I do, at least) feel sad upon reading it?
Because most people would be able to answer all of the above questions, and that is only from 6 words.
Contrast that to a longer method, which would be something like this (spoiler'd because it is obviously only my interpretation of the piece, which is obviously not encompassing nearly as much as the original did. This was done on purpose, because that's basically what DTG is saying is 'good' writing):
I know which I consider better writing; and I see every reason why Hemingway's version should not only be able to be compared to my version, but should also be able to be declared unambiguously better. Would you care to explain?
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