| Kresnik said: Statement from Idea Factory International about Monster Monpiece: http://ideafintl.com/updates/feb_2014.php Regarding Monster Monpiece
Haru Akenaga, CEO of Idea Factory International, Inc. Thank you to all our fans for your feedback and opinion, both pros and cons, regarding the censorship of Monster Monpiece. First of all, please allow me to clarify that Idea Factory International is fundamentally against censorship and we will never censor a title purely as a strategy to increase sales. In the past years, Idea Factory has licensed out all of its titles to third party publishers for the western markets. The Monster Monpiece license was also offered to third party publishers but none were interested in acquiring the license. The main reasons cited were that the title was too “hard-core” and “niche”, making it extremely difficult to forecast enough sales to make this a profitable title for the western markets. In addition there was significant concern that some of the images of the Monster Girls would be inappropriate and unacceptable for release in these markets. Despite these concerns, because we received so many requests from our fans and because Idea Factory International was established in the US for the main purpose of nurturing the IF fan communities outside of Japan, we made the decision to do our best to bring Monster Monpiece to our fans in these markets. That being said, as a Company that would like to remain relevant and viable for the long term in these markets, we believed it was necessary to make some minimum modifications in order for the product to be suitable/acceptable for publishing, giving the title the best chance to get to market while still staying as true to the original game as possible. Please be assured that we did our utmost to make sure that the modifications/censoring we determined necessary for Monster Monpiece were at the absolute minimum. We have paid meticulous attention to which images to replace/modify so as not to affect the gameplay and game system itself. Idea Factory International intends to focus its ongoing licensing and publishing activities primarily on titles that will appeal to the most hard-core gamers within the JRPG niche of the North American and European game markets. As such, this first title, Monster Monpiece, is an important test case for us and the final results will weigh significantly towards our decisions regarding future titles for these markets. We decided to release Monster Monpiece in these markets because we wanted to make our fans happy. However, if those same fans find that the modifications we felt we had to make have made the localized version of the game completely unacceptable, perhaps it was not the right decision to try to localize and publish this title for these markets. Perhaps it would be in the best interest of both our fans and our Company to publish only those titles that will not require any censoring or modification. To conclude, I believe that with regard to Monster Monpiece we have made the best possible decision, taking into consideration both our customers’ satisfaction as well as our corporate ethical responsibilities to adhere to all local legal requirements. However, we welcome continued feedback from our fans both before and after the release of the game. We value everyone’s opinion and will take it all under consideration when planning for our future titles. Thank you again to all of Idea Factory’s fans for your ongoing enthusiasm and support.
I'm actually with IF on this one. Between the whole ordeal with dual audio for Atelier Ayesha (and upcoming ordeal for Conception 2); to NISA's censoring of Mugen Souls; to the censoring of Monster Monpiece and witnessing some really weird arguments the past few days while I've been spending time on NISA's forums (people complaining that translated Japanese names don't have enough vowels in them), I'm shocked at how entitled the niche community in the west acts. I mean yes, I get that certain people want to receive these games in absolutely the same form as the Japanese verison except language. And I kind of understand arguments about say, dual audio, because it's something a lot of people like and there's possibly some retribution there because TK put it back in, showing it wasn't possible and was just a decision. But some stuff just has to be changed to make it viable. I always view this stuff as "well at least someone is picking it up and we're getting the game at all". But so many people seem to prefer not having the game at all then having it in a changed form; and that to me is just bonkers. |
I agree 100%. We should be happy that we get any of these games in the first place.
You know, I haven't been into gaming for too long (well, I started with a GBA in 2004 and a GameCube in 2005, but I haven't really been buying games myself until 2010/11 and it was around that time that I started to aqcuire a distinct "taste" in gaming), but I recently got into "retro" consoles or generally video game collecting (heck, I've bought about 6 individual gaming platforms in the last 6 Months, 4 of them in the last 2 weeks) and it was there and then that I realized how utterly terrible it must have been for 90s/early 2000s gamers to get to play any Japanese games at all (especially in Europe, of course). Only (more or less) recently we got a group of companies showing up and getting those games to us westeners, and I think it's a shame that so many people complain about the smallest changes in localization. Most of the time these people don't even seem to understand what the term localization really means.
Complaining about game-breaking bugs (as has happened with Disgaea D2 or the European version of SMT Devil Survivor Overclocked)? Sure. Complaining about some small censorship related changes (one picture getting censored in the NA version of FE Awakening and one text bit in the European one, for example)? Stupid. The only thing that trumps that in stupidity (in my opinion) is complaining about text being "inaccurately" translated (which, in most cases, really isn't true, but rather part of a localizational change).
I've come to greatly appreciate these companies and there efforts to release these games in the west, and I am absolutely ready to make small sacrafices in order to be able to play these games. Everyone who isn't should try going back to the era of Super Nintendo and Sega Saturn (or heck, in Europe's case even PlayStation 2). That would probably show them how glad we can be to get all these games.
We all should be happy that we can play and understand these games in the first place, but instead people are bitching about the smallest issues. And thing is, this sort of behaviour is especially rampant in the niche community, which only makes things worse.
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