tarheel91 said:
You are right in that it's colonialism-focused, but to call that Pocahontas in space isn't very accurate. This type of story is practically its own genre (see: Things Fall Apart, Heart of Darkness, Pocahontas, Speaker for the Dead, etc.). Original flair? You mean besides creating an entire world? Yeah, I TOTALLY see what you mean. Let me copypasta what I said in another forum in my general impressions: The story telling wasn't as good as the visual experience, but it'd have to be Hamlet for it to even come close. However, I felt the visuals added to the story, made it better than it would be on its own. That world was so real, so full of life, it's destruction becomes much more meaningful than it could ever be in concept alone. It's funny, I was thinking about Heart of Darkness a couple of hours before the movie, and realizing what an advantage literature had to cinema in certain respects. You've got a narrator that can be manipulated to change the way the reader interprets and pays attention to things. You can take things much more slowly, and you've got a lot more to work with considering how much more can be included in a novel. However, Avatar demonstrates the largest advantage cinema has in response to literature. Imagery. In a movie like this, a picture is worth far more than 1000 words. Not even the most briliant prose could create such a rich and beautiful world. In a genre such as this, where understanding the value in the native way of life and nature itself is critical, the living, breathing world Cameron brings to life is an invaluable tool. |
Well...basically, the story was very similiar to that of Pocahontas...I agree that the visual heavily aided the story telling...for example, the dog-like creature with her cubs. I had never felt a sci-fi to be so real, as I did with this movie, which provided a massive boost to the storytelling. I didn't think the plot and writing was bad, it was just subpar to what I believe were the greatest visuals in a motion picture...ever.