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DaHuuuuuudge said:

How could nobody mention Children of Men?

*grumbles off angerly*

Why should someone have mentioned it?



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sapphi_snake said:
DaHuuuuuudge said:

How could nobody mention Children of Men?

*grumbles off angerly*

Why should someone have mentioned it?


The direction was completly fantastic, it showed that such long single shots could be succesfully used, and not sacrifice action or movement. The fact that the camera acted as a person also was mind blowing.



probably the sixth sense because it was the only good shymalan movie xD



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Reasonable said:
The Ghost of RubangB said:

A Trip to the Moon (1902, Georges Méliès, France)
The Great Train Robbery (1903, Edwin S. Porter, USA)
The Cabinet of Dr. Caligari (1920, Robert Wiene, Germany)
The Battleship Potemkin (1925, Sergei Eisenstein, USSR)
Man With a Movie Camera (1929, Dziga Vertov, USSR)
Un Chien Andalou (1929, Luis Buñuel, France)
M (1932, Fritz Lang, Germany)
Night of the Hunter (1955, Charles Laughton, USA)
La Jetée (1962, Chris Marker, France)
Night of the Living Dead (1968, George A. Romero, USA)
Eraserhead (1977, David Lynch, USA)
DAICON IV
(1983, DAICON Film, Japan)

Now that's a good list. 

I'd also add Orphee as well.  What about Birth of a Nation?  I know not very PC but nonetheless pretty influential.

I'd also add 2001 because you've got to have one Kubrick film in there.  Oh, and Thief of Bagdad.

No Citizen Kane?  What about The Third Man?

Nice to see Night of the Hunter there.  I love the composition and lighting in that, not to mention Mitcham's performance.

EDIT: Metropolis, Snow White & The Seven Dwarves, Jaws and Toy Story.  Oh and Blade Runner.

I was only listing really important films that I could find links to.  I couldn't find Citizen Kane, Breathless, or 2001 online.  I really should've put Birth of a Nation and Thief of Bagdad in there, and something by Chaplin or Keaton, but I couldn't pick just one.

But... I haven't seen Orphee.  I am a failure.

I shall update this list in a new post.



Haven't read through the whole thread so don't know if its been mentioned yet but I'd say THX1138.



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The Ghost of RubangB said:
Reasonable said:
The Ghost of RubangB said:

A Trip to the Moon (1902, Georges Méliès, France)
The Great Train Robbery (1903, Edwin S. Porter, USA)
The Cabinet of Dr. Caligari (1920, Robert Wiene, Germany)
The Battleship Potemkin (1925, Sergei Eisenstein, USSR)
Man With a Movie Camera (1929, Dziga Vertov, USSR)
Un Chien Andalou (1929, Luis Buñuel, France)
M (1932, Fritz Lang, Germany)
Night of the Hunter (1955, Charles Laughton, USA)
La Jetée (1962, Chris Marker, France)
Night of the Living Dead (1968, George A. Romero, USA)
Eraserhead (1977, David Lynch, USA)
DAICON IV
(1983, DAICON Film, Japan)

Now that's a good list. 

I'd also add Orphee as well.  What about Birth of a Nation?  I know not very PC but nonetheless pretty influential.

I'd also add 2001 because you've got to have one Kubrick film in there.  Oh, and Thief of Bagdad.

No Citizen Kane?  What about The Third Man?

Nice to see Night of the Hunter there.  I love the composition and lighting in that, not to mention Mitcham's performance.

EDIT: Metropolis, Snow White & The Seven Dwarves, Jaws and Toy Story.  Oh and Blade Runner.

I was only listing really important films that I could find links to.  I couldn't find Citizen Kane, Breathless, or 2001 online.  I really should've put Birth of a Nation and Thief of Bagdad in there, and something by Chaplin or Keaton, but I couldn't pick just one.

But... I haven't seen Orphee.  I am a failure.

I shall update this list in a new post.

Yup.  A Chaplin film should be in there, too.  You've got to watch Orphee.  I hope you like it!



Try to be reasonable... its easier than you think...

DaHuuuuuudge said:
sapphi_snake said:
DaHuuuuuudge said:

How could nobody mention Children of Men?

*grumbles off angerly*

Why should someone have mentioned it?


The direction was completly fantastic, it showed that such long single shots could be succesfully used, and not sacrifice action or movement. The fact that the camera acted as a person also was mind blowing.

I agree with this. The camera work in that film is really groundbreaking. Some of the longest shots I can ever remember seeing. I remember reading that they spent 3 days filming the car sequence.

One of my favorite sci-fi films from the 2000s.



themanwithnoname's law: As an America's sales or NPD thread grows longer, the probabilty of the comment "America = World" [sarcasticly] being made approaches 1.

A Trip to the Moon (1902, Georges Méliès, France)
The Great Train Robbery (1903, Edwin S. Porter, USA)
The Birth of a Nation (1915, D. W. Griffith, USA)
The Cabinet of Dr. Caligari (1920, Robert Wiene, Germany)
The Thief of Bagdad (1924, Raoul Walsh, USA)
The Battleship Potemkin (1925, Sergei Eisenstein, USSR)
Man With a Movie Camera (1929, Dziga Vertov, USSR)
Un Chien Andalou (1929, Luis Buñuel, France)
M (1932, Fritz Lang, Germany)
Triumph of the Will (1935, Leni Riefenstahl, Germany)
Bicycle Thieves (1948, Vittorio De Sica, Italy)
Night of the Hunter (1955, Charles Laughton, USA)
A MOVIE (1958, Bruce Conner, USA)
La Jetée (1962, Chris Marker, France)
Night of the Living Dead (1968, George A. Romero, USA)
The Street Fighter (1974, Shigehiro Ozawa, Japan)
Eraserhead (1977, David Lynch, USA)
DAICON IV
(1983, DAICON Film, Japan)

 

All those links go directly to the films if anybody's interested.

I did a little more searching, and added The Birth of a Nation, The Thief of Bagdad, Triumph of the Will, Bicycle Thieves, A MOVIE, and The Street Fighter to my earlier post.  The Birth of a Nation was the biggest blockbuster of all time when it came out and invented a few new camera tricks that are common today, The Thief of Bagdad was the biggest blockbuster of all time when it came out and invented a few new special effects that are common today, and Triumph of the Will is the greatest propaganda film of all time, the most important film of the 20th century to be made by a woman, and parts of it were lifted shot-for-shot for the ending of Star Wars: A New HopeBicycle Thieves introduced the rest of the world to Italian Neorealism and many critics believe it's the best example of the genre, A MOVIE pretty much invented messing around with found footage, and The Street Fighter was the first movie to get rated X for violence instead of sex, and it invented the slow-motion X-ray skull-cracking punch shot, which is now going to be in the new Mortal Kombat game.

And Triumph of the Will just led me to my new favorite YouTube channel: http://www.youtube.com/user/openflix  It's got over 500 public domain movies organized and without any ads.



I think The Ghost of RubangB covered it nicely.



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