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Earlier this week I interviewed Rod Fergusson, executive producer on Gears of War 3. Fergusson has been working at Microsoft for a decade, producing such luminary games as Counter-Strike for the Xbox, Blood Wake and Microsoft Train Simulator (hey, it sold over a million units – don’t knock it). He’s beein working with Epic Games since 2005 and, among other things, controls the entire Gears of War brand. The Gears of War games are the only console shooter series that I really enjoy, for a number of reasons. First, and most importantly – split-screen co-op. I love the instant collaboration and the sense of working towards a common goal but I’m sure as hell not going to put a second set-up in the study to play a game with my boyfriend. Secondly – the characterisations. There’s plenty of narrative that helps motivate you beyond “shoot-everything-that-moves”. I loved Dom’s character development in Gears 2 and the relationships between Baird, Marcus, Dom and (of course) the Cole Train are always good for a laugh. Thirdly, CHEEVOS. Gears of War was the first game to properly incorporate achievements for co-op players, for which I am very grateful. Finally – grenades and the chainsaw bayonet. My analogue stick aiming skills are woefully inadequate for most shooters and the power of that chainsaw and the grenades gives no-hopers like me a fighting chance. I talked to Fergusson about Gears and how Epic Games are appealing to the female gamer. Here’s what he had to say:
One of the things that I’m very happy about is that Anya’s on the box now. She’s not just sitting in her pencil skirt doing nothing and talking in your ear. Can you tell me more about the decision behind that? Rod Fergusson: Yeah, it really comes out of two places – one is that we wanted it for the gamers. When you go to a poster signing and you go to like, a comic-con or something where you get a chance to meet fans face-to-face, you’re surprised at how many female gamers actually play Gears of War. It’s got a reputation of being this thick-necked testosterone, male-oriented game and so to find all these female players was kind of surprising. Part of the decision of having female characters is to allow for female gamers to actually have that reflection of themselves in the game. Like you’ve seen downstairs even.[referring to the twenty games journalists below us in the hands-on multiplayer preview] I think probably yourself and others… Yeah, there’s like three of us [female games writers] downstairs. RF: Lauren [Wainwright] downstairs; she picked Anya – she wanted to be the woman in the game, right? So from that perspective it was like, okay how do we help our fans have what they want to have? See them personalise their experience in the game. The other side is that from a fiction standpoint, Gears of War 3 is really about the end of the coalition, the end of civilisation, the end of the military. Things have become more desperate so that notion that even Anya having to pick up arms and become a soldier and fight for her life… the sense of survival is really a really quick indicator that the world has changed. I mean, you look at the box and you see Anya with a bayonet, with that look on her face. It immediately tells you that it’s different; something’s changed in the world, so we wanted it from that perspective too.
Do you have women running around the world? ‘Cause I know there weren’t before. I’m wandering around going “Why is everybody fighting to keep humans alive? You have no women. You’re all gonna die out.” RF: [laughs] There is that. If you read the comic books, there’s a story called the Barren series and it was really they kind of tried get a little bit into that. Part of the fiction we had was the notion that any women that were fertile were actually shuffled off to try to reproduce and regrow the civilisation, whereas those that were infertile or barren were the ones that became the soldiers. So that was sort of the separation of society. The comic kind of gets into the dark underbelly of that. I mean, it’s already dark but the even darker side of it. So I think the thing is just trying to find the things that all gamers want which is that personalisation; that customisation and how to have a unique experience. That I can be a female character in the world, I can make my gun pink if I want to. That’s a really extreme example, but it’s that notion of personalisation. It’s like why people customise their ringtones and their desktops and that kind of stuff. Let’s get that and try to bring in gamers so that they can personalise their own experience.
From my experience it seems like you’re doing it right anyway, in that we – I’m crap at shooting – and we now have 2 different types of bayonet and a whole lot of grenades, so I’m good. I’m catered for. RF: Well there you go. The sawed-off shotgun is your friend; all you gotta do is get close and you don’t even need to aim. You just have to get close and you can take somebody out. You’re not good at shooting? Then the sawed off is a good way to go. http://www.theaveragegamer.com/2011/03/20/rod-fergusson-we-didn%E2%80%99t-change-gears-of-war-to-lure-more-female-gamers/
