It'd be nice, but perhaps asking too much, to get people to debate, either for or against, from the source material:
But what should we think about a German war film dealing with the Warsaw rising and the slaughter of Stalingrad, or a Japanese film about Nanking or the death march, that focused only on the heroism of their bomb-disposal troopers, without any reference to the aggressive wars that situated them in Poland, Russia, China and the Philippines? Most people would characterize such films as "enemy propaganda," particularly while the wars were still going on, as are the U.S. wars in Afghanistan, Pakistan and Yemen (as well as Iraq, despite Washington's claim that "combat operations" are now over).
Suppose you were an Iraqi, who lived through 12 years of U.S.-UK-UN killer sanctions that took another million Iraqi lives, followed by seven years of invasion and occupation. What would you think of a U.S. war film where nearly all the Iraqi characters were villains or crooks, and the occupying GIs were depicted as heroes and at least well-meaning?
What would you think when you read from the producers that "The Hurt locker" is "a riveting, suspenseful portrait of the courage under fire of the military's unrecognized heroes: the technicians of a bomb squad who volunteer to challenge the odds and save lives doing one of the world's most dangerous jobs.... Their mission is clear — protect and save."
You'd probably think this film, which won six Academy Awards while the war was still going on, was enemy propaganda.
The articles only a few more paragraphs...
https://en.wikipedia.org/wiki/Crucifixion_of_Jesus#Accounts 'almost all modern scholars agree Jesus existed, and His baptism and crucifixion are historical facts.'
^Islam is a lie[.] The Koran denies He died on the cross.
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